The principal concept of this research pertains to the existential manifestation of mortality among diverse figures in three renowned tragedies authored by Shakespeare. Furthermore, a theatrical performance entitled ‘Koruna O Bhithir Galpo’ (The story of pity and fear) has been embraced to scrutinize the essence of death. Fourteen scenes curated from Shakespeare's esteemed trilogy tragedies Hamlet, Macbeth, and Othello for the performance. Through this inquiry, it is elucidated how the director deviated from the Aristotelian linear dramatic structure and embraced deconstructed theatrical philosophies. Simultaneously, considering theoretical frameworks of interpretation and analysis such as ‘semiotics’, the symbols of death interwoven throughout the production furnish a tangible comprehension. In this investigation, it is evident that there are numerous justifications underpinning the demise of the characters, which include erroneous choices made by the individuals, psychological influences exerted by others, a deficiency in emotional regulation, avarice, and the abuse of authority. Furthermore, the manner in which dialogue, the actor's expressions and gestures, costumes, lighting, stage design, background music, etc., employ signs to articulate the concept of death and its overarching representation is examined. This analysis underscores that by engaging with and attributing novel significances. Ultimately, the conclusion is that the majority of the fatalities that transpire throughout the theatrical piece are politically motivated deaths.